“Rap of Longinus”
Character A: Time B: Romanized Japanese C: (Japanese) D: English translation
Asuka 0:27 Yo yo yo yo Yoroshiku (ヨーヨーヨーヨーよろしく) Yo yo yo yo, Nice to meet you
Shinji 0:30 Dare? (誰) Who?
Asuka 0:31 Bye bye
Shinji 0:32 Nandayo (何だよ) What?
Shinji 0:35 Sekai (世界) This world
Shinji 0:36 Teki (敵) The enemy
Misato 0:38 Imayo (今よ) Now!
Shinji 0:39 Korosu (殺す) I’ll kill it
Asuka 0:41 Makenna (負けんな) Don’t lose!
Shinji 0:43 Nigero (逃げろ) Run away
Asuka 0:44 Ahoka (アホか) Idiot?!
Shinji 0:45 Yamero (やめろ) Stop it
Asuka 0:46 Sine (死ね) Drop dead!
Back Chorus 1:16 I must not run away, I must not run away
Asuka 1:26 Makenna (負けんな) Don’t lose!
Shinji 1:36 Nigero (逃げろ) Run away
Asuka 1:45 Ooi (おーい) Hey
Shinji 1:46 Akuma (悪魔) demon
Asuka 1:47 Kyaha (キャハ) Hee hee
Shinji 1:49 Bakemono (化け物) Monster...
Asuka 1:50 Haa?! (はあ?!) Huh?!
Asuka 1:51 yare yare... (やれやれ) Ugh, give me a break...
Shinji 1:55 Kurae! (喰らえ!) Take this!
Asuka 1:46 Yo yo
Shinji 1:57 Yamero (やめろ) Stop it
Shinji 1:58 Nigero (逃げろ) Run away
Shinji 2:00 Ikuzo (行くぞ) Let’s go
Asuka 2:01 Yo yo
Shinji 2:02 Nigero (逃げろ) Run away
Shinji 2:03 Yamero (やめろ) Stop it
Shinji 2:04 Sekai (世界) This world
Shinji 2:07 Sine (死ね) Die
Shinji 2:23 Usodaro (嘘だろ) No way...
Shinji 2:25 Tuyoi... (強い...) It’s strong...
Asuka 2:26 Rakusyou Rakusyou (楽勝楽勝) Too easy Too easy
Shinji 2:28 Nigero (逃げろ) Run away
Asuka 2:31 Ryoukai (了解) Got it
Shinji 2:33 Sekai (世界) This world
This
is an image of Asuka from Evangelion and Nadia from Nadia: The Secret
of Blue Water. Both are characters from works directed by Hideaki Anno.
Their personalities are quite similar: proud, impulsive, brilliant.
Nadia
is a relatively rare Black character in Japanese anime. In the past, a
popular Black character from a Japanese children’s book sparked
controversy for being considered racially insensitive. For various
reasons, Black characters are still rarely depicted in Japanese media.
But Nadia was the first anime character I ever fell in love with.
"That
is why I hope more anime featuring Black characters will be created in
the future."
I
also believe that people can naturally connect with one another, even
across cultural differences. For example, when a Black creator makes
content inspired by anime, or when an Asian person like me makes
hip-hop. Art, at its most sincere, can move beyond surface
distinctions. It becomes a force that passes through the unseen
barriers between us: of nation, of tradition, of belief. Like the AT
Fields in Evangelion, these boundaries are not immutable. When a work
truly resonates, the field flickers.
"And
for a moment, we recognize one another."
In
the same way, the Spear of Longinus has the power to pierce even an
absolute AT Field, depending on how it is used. Its true power may lie
not in destruction or transcendence, but in its capacity to preserve
difference while allowing understanding. Not to collapse individuality
into uniformity, but to touch the other without erasing the self.
Perhaps this, and not god-slaying or human unification, is the purpose
for which the spear descended to Earth.
Next
week, I will release a new single from Xinlisupreme. I hope you will
receive it with open ears, like the Spear of Longinus piercing through
the barriers of the AT Field, free from the usual rules of music and
open to new connections beyond walls.
And
just like early hip-hop included dance and graphic art, Anime Hop isn't
just about music. It includes the cover art, the words I post, and your
comments too. I want to repaint how the world hears, sees, and thinks,
and change the world.
See
you next week
>>Rap
of
Longinus high-res image
I'm releasing the third single from the upgraded Anime Hop, “Rap of
Longinus” It'll be on Spotify, Apple, TikTok, and more by tomorrow or
the next day. The English lyrics are posted in the comments section on
Instagram.
Ten years ago, I saw music fans and hip-hop critics look down on
Vocaloid rap, saying it wasn’t “real rap.” That day, I decided I would
one day make a fake rap that would make them angry.
A year and a half ago, seeing a kind Korean Xinlisupreme fan gave me
the idea to create anime-hero rap. "Rap of Longinus" was created as a
prototype for Anime Hop. That’s why it uses paid Evangelion-style
samples instead of voice actors. After finishing it, I shared the
concept and lyrics with voice actors and asked them to record. That’s
how Anime Hop began.
If you know friends who watch anime in Japanese, please recommend “Rap
of Longinus.” Also, If you have Gangsta friends who are open-minded
about fake rap, please tell them it’s a gift from Pulse Demon and share
it with them.
Ten years ago, the attacks on “I Am Not Shinzo Abe” came mostly from
Japanese labels, musicians, and music fans. They wanted to own
Xinlisupreme like a fashion accessory. Xinlisupreme was never allowed
to outshine its owner in music and words.
Seeing some music fans direct hate toward Anime Hop and my words, Anime
Hop doesn’t feel like a follow up to today’s I Am Not Shinzo Abe. Feels
like a hip-hop version of "I Am Not Shinzo Abe", the track that shook
the music scene ten years ago.
Xinlisupreme is the most taboo name in music. I respect Longinus
Recordings for reissuing it. Antropoceno’s Natureza Morta was also a
new kind of masterpiece. I hope more people discover the beautiful
music of Parannoul.
The music scene I've been seeing has been a Dirty World.
Even if Anime Hop is praised ten years from now, after it's no longer
taboo, it won’t be the real Anime Hop. Please listen to “Rap of
Longinus,” the Beautiful World as imagined by Xinlisupreme, right now,
in the noise where praise and hate collide.
But I love you. And I love you too. Let’s ride on to a new world.
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